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Mean Girls

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Really fun commission for London Theatre Magazine, featuring the cast of Mean Girls, now showing at the Savoy Theatre:

 
 
 
 
 
 

Graduation

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I was commissioned to shoot University of London graduation images - event coverage and portraits at the Barbican:

 
 
 
 
 
 
 
 

Recent work - October 2023

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Adam Habib, Director of the School of Oriental and African Studies, University of London

 

AmEx Leadership Academy attendee at the US Ambassador's Residence, Winfield House, Regent’s Park.

Nick McClelland of Champion Health, shot for Corporate Adviser magazine.

Emma-Jayne Hamilton, Ebay’s head of luxury handbags

Community centre refurb by IKEA

 

Seeing past the subject (2)

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I wrote an article some time ago on the value of using famous faces in your portfolio.

tl;dr: celebrity shoots are shorthand for access, big campaigns or notable clients. In other words, a middling photo of an A-lister may have more impact than a good photo of an unknown person.

I wanted to follow up with some comments and rules on this perilous practice, because it is a recipe with a strict “use by” date. Celebrity photos age quickly. And badly. You need regular and fresh produce, and more so in the age of Instagram. Because - regardless of whether the person stays famous or fades into obscurity - without new material to update and replace one’s portfolio, the march of time leads to the same interpretation: your most up to date celebrity shoot was too long ago. I’m assured by colleagues that in all other respects one’s portfolio need not change, and keeping old photos is fine: this consideration only applies to photographers cashing in by using famous faces on their websites. You’re tied into a constant game of catch-up, but that's the price you pay for trading in the currency of currency.

Here are the rules:

A-Listers: You can keep them for around a decade in your portfolio. Just make sure they're still recognisable.

B-Listers: Remove/update after 5-7 years.

Reality TV stars: Remove after 3-5 years.

Influencers: Check if they’re still famous every 1-2 years.

People who appear on Christmas pantomime posters at train stations, if they have an accompanying line reminding you where you’ve seen them before e.g. “… from The Bill”: No.

Niche favourites: These are podcasters, TikTok stars etc. who have the envious position of being A-listers to those who know them, but otherwise aren’t widely recognised in public - so don’t count as celebrity, and therefore can be used indefinitely.

Political and Historical Figures: These shots are like vintage wine and can remain in your portfolio indefinitely, as long as you have a collection of similar images. One photo of Nelson Mandela won’t work - it’s just a lucky commission. You need Margaret Thatcher, Bob Geldof and Freddie Mercury to complete the set, and so establish yourself as someone who’s really been around.

Living legends: There are only a few of these but you can trade on them on your website forever. Ideally, place them on your homepage and bring them up in conversation regularly. They include people like David Attenborough, Helen Mirren, Christopher Walken and Stephen Fry.

The exception to the rule is if you have more than twelve famous faces, in which case you’re a regular at this - perhaps even a celeb photographer - and don’t need to remove any old photos ever, on the condition that you must keep adding.

Next time I’ll talk about why portfolios containing two pictures from the same shoot should result in a prison sentence.

Tinder

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I was commissioned by Weber Shandwick for a Tinder campaign to help deaf people find love. We photographed twins Hermon and Heroda (Being_Her) teaching some British Sign Language (BSL) for Deaf Awareness Week (featured here in Cosmopolitan):

BSL is the fourth most-used language in the UK. It’s not only hand movements, but facial expressions and use of the body, too. It has its own grammar and sentence structure, and there are regional dialects.

There are 126 different versions around the world. Interestingly, the British and American versions are largely mutually unintelligible.

Decisions on nuance, emphasis and accuracy came up even for these simple phrases on the day. For each set the best version was argued for, and we had to reshoot a few sequences to get a version that everyone could agree on.

And more than this, as language is communicated as a flow in real time, we had to stop and choose the most salient part(s) of many of the gestures - often their start or end point, or both. This may sounds obvious, but when capturing movement - from a speaker at a conference to a sport action shot - photographers need to know and anticipate what to look for, and it’s central to telling the story. Not knowing BSL, however, I couldn’t guess what the right moments would be to photograph.

And, sure enough, I had creeping doubts later that the sequences were in the correct order..! It was a fun, unusual shoot which the twins made easy.