This project brings together a selection of on-location portraits commissioned (mainly) by ACCA and other publications. Although produced for separate clients, the briefs are similar: feature-style portraits made in real working environments to accompany interviews. The images may end up as a cover, a lead feature, or used across several pages.
Time is the defining constraint. An hour is requested, but often less is available. It’s about getting a useful variety of images between a few different locations and setups, whilst allowing for delays and interruptions. Many shoots take place in offices, which are often functional rather than photogenic, so locations can be limiting.
Having said that, I tend to prefer tighter constraints. The (rare) shoot with access to an entire building, ninety minutes, and someone to assist can actually be as challenging as a small meeting room, a reluctant subject and a hard stop. Too much choice and freedom can be overwhelming, or at least can dilute every decision with doubt. I know where I am when I can see the restrictions, deal with issues, push where I can, and solve problems under pressure.
Even making conversation takes up time. Too much chat slows things down; too little impacts rapport, trust and engagement. Most of these shoots involve photographing ordinary people - people who might be busy, self-conscious, and not necessarily interested in (or thrilled about) being photographed. While willing, they’re sometimes nervous and uncertain what to expect.
These kind of portraits aim to be simple, straightforward and unforced - people shown as they are, in places they actually work.
